winterswake:

If somehow the Lord gave me a second chance at that moment, I would do it all over again.

Joel Miller in THE LAST OF US PART II (2020)

mashamorevna:

“In solitude, I felt the liberty you spoke of. But I also felt your absence.” - Portrait of a Lady on Fire (2019)

witchinghour:

she gets it

dobrien:

Make Me Choose Challenge
@theirdarkmaterials asked: Pantalaimon or Baby Yoda?

“Bone broth, for the little one.”

humanveil:

Portrait de la jeune fille en feu | Portrait of a Lady on Fire (2019) dir. Céline Sciamma. 

elektranatchios:

I just realized that this is like, the last time that we’re all gonna be here, like this. Soon I won’t be able to just come in here and say, ‘Hey’. I remember there was like a whole year that we didn’t even see each other… I’m just saying, a part of me feels like, I’m almost glad that we lost the money. I love you very much.

Love is a word you hear a lot here, not in the casual, hyperbolic, verbal air-kissing Hollywood sense, but the real emotion, the spiritual state, the intentional action. “No one ever talked to me about how this show was going to be written from love and about love,” says Catherine O’Hara. “It never came off as any kind of agenda. It’s just the world that Daniel would love to live in.”

SCHITT’S CREEK (2015 – 2020)
where everyone fits in

created by Eugene Levy and Daniel Levy

patrickbrewers:

COVID-19 + It’s Always Sunny in Philadelphia

trueloveistreacherous:

The Good Place Appreciation Week
Day 6: Favorite Lesson/s

buotella:

A case with a hole in the middle. A donut.

KNIVES OUT (2019) dir. Rian Johnson

codes by
pohroro